Keramik Becher von Dietlind Wolf, aus rotem Steinzeugton mit historischem Ziegelstaub und Tonfunden aus Lübeck bearbeitet, leichte Aufsicht | haptik.de
Keramik Becher von Dietlind Wolf, Traces, Serie Tegula, aus rotem Steinzeugton mit historischem Ziegelstaub und Tonfunden aus Lübeck bearbeitet, leichte Aufsicht, mit Distel | haptik.de
Keramik Becher von Dietlind Wolf, Traces, Serie Tegula, aus rotem Steinzeugton mit historischem Ziegelstaub und Tonfunden aus Lübeck bearbeitet, Detailansicht Oberfläche | haptik.de
Material Proben von Dietlind Wolf, Traces, Tonfunde aus Lübecker Ausgrabungsstätte | haptik.de

Dietlind Wolf, stoneware mug | red (DW02)

Regular price75,00 €
/
Incl. VAT plus shipping
Delivery time: 3-5 days

- Unique -
Manufactured in Germany
Dimensions: H9cm, Ø: 6cm
Weight: 0,16kg
Material : Clay

About the object: This mug made of red stoneware clay, created using a build-up technique, is approx. 9cm high and has a diameter of approx. 6cm. It is part of Dietlind's long-term project "Traces" and belongs to her series "Tegula" (lat., brick) from 2024. In her search for traces, Dietlind discovers rocks and materials that, when ground to dust, become part of the object's surface. For the Tegula series, Dietlind gained access to excavation sites in the Beckergrube on Lübeck's Old Town Island through her collaboration with the Department of Archaeology and Monument Preservation in Lübeck. There she found bricks, floor tiles, street dirt and clay from the 16th century, ground them up at great expense and then applied them to everyday objects. Through the firing process, these traces of the past create visible and tactile surfaces that merge inseparably with the object of the present.

The materials used for the surfaces of the object are food-safe and waterproof. The object can therefore be used in a variety of ways. Or simply delight your senses.

Each object in the Tegula series is unique in its shape and surface and comes with a printed certificate. The document contains information about the product and the materials used and was created by Dietlind Wolf herself. Furthermore, samples of the ground historical material are part of the work and are delivered together with the object.

Manufacturing process: This work was created from red stoneware clay using a body-building technique. The surface has been partially covered with brick dust from the building at Dr. Julius Leber Strasse 13 in Lübeck (built in 1230), clay finds from Mengstrasse 46 in Lübeck and a clay find from Travemünde, Helldahl. The vessel was fired at 1250° in an electric kiln. All surfaces that are not glazed were coated with liquid quartz Sio2. They are food-safe and waterproof.

We offer reliable shipping for our products to various destinations. Here are our shipping options:

Germany:

  • Standard shipping: up to 1 kg 5.90€, over 9.90€
  • Delivery time: Usually within 3-5 working days

EU countries:

  • Standard shipping: up to 1 kg 14.90€, over 19.90€
  • Delivery time: Usually within 5-7 working days
  • You can find a list of the countries to which we ship here.

Switzerland: Information regarding transportation costs to Switzerland can be found here.

Please note that the stated delivery times are estimates and may vary depending on the destination and current circumstances. We are always working to get your orders to you as quickly as possible.

For further information or special inquiries about shipping, please do not hesitate to contact us. to contact. We are happy to answer your questions.

  • Dietlind Wolf ceramics should only be washed by hand if necessary. Use clear water or a maximum of gentle cleaning agents, a damp cloth and, if necessary, a soft brush. And never use abrasive sponges.
  • Dry the ceramic carefully after cleaning to avoid water stains.
  • Ceramics can be rougher on the underside than containers made of other materials. We therefore recommend protecting sensitive surfaces on which the ceramic is to stand from scratching if necessary.
Manufactory

Dietlind Wolf

Dietlind Wolf is a versatile artist whose curiosity about life leads her on a constant search for traces of materiality.

After studying visual communication at Aachen University of Applied Sciences, where she graduated with an award for outstanding achievement, she worked for renowned brands as a textile designer in haute couture in Italy and Switzerland. In the 1990s, she began her freelance career as a textile designer and as a stylist for still life and food photography for international magazines.

In 2004, Dietlind Wolf began designing and producing her own earthenware and porcelain vessels for her photographic works. This marked the beginning of an experimental artistic development in which she explores traces of material history in sand, clay, earth and stone.

Her biographical path explains the influences and interconnections of various artistic disciplines in her work. With a keen sense of materiality and color, she develops independent concepts and implements unusual ideas in unmistakable form. Her clay vessels gain a special atmospheric density through the deliberate use of materials and invite people to embark on their own search for traces with all their senses.

A subtle irony occasionally creeps in. Medieval street dirt from the archaeological excavations in Lübeck's Beckergrube shows up on the surfaces of the vessels after firing as fine golden speckles that make us think about history, value and perception.