Manufactory
Hiromi Suzuki
Über das Objekt: Hiromi Suzukis kleiner Teller trägt oben eine verlaufende, mintgrüne Glasur, die durch unregelmäßige Farbtupfer in Grün und Beige sehr lebendig wirkt. Mit einem Durchmesser von ca. 15 cm und einer Höhe von ca. 2 cm kann der Teller für Kuchen oder Snacks, aber auch als Untertasse Verwendung finden. Passend dazu gibt es eine kleine Trinkschale sowie eine größere Schale separat im Angebot. Seht selbst!
Herstellungsverfahren: Hiromi Suzuki verwendet eine Mischung aus Mashiko-Ton und Ton aus anderen Regionen, wobei dies vom jeweiligen Werkstück abhängt.
Die Glasuren werden individuell von der Künstlerin angemischt, um eine matte Oberfläche zu erzielen, die die feinen Abstufungen sanfter Farben zur Geltung bringt.
Hiromi bevorzugt schlichte Formen und strebt danach, Gefäße zu schaffen, die eine sanfte, warme Ästhetik und Haptik ausstrahlen.
Hiromi Suzuki: „Es bereitet mir Freude, Stücke zu erschaffen, die schon beim Halten ein Gefühl von Ruhe und Gelassenheit vermitteln – und so helfen, Spannungen zu lösen und das Herz zu beruhigen.“
Zur Info: dieses Produkt ist Teil unserer "Japan Affairs" Ausstellung und wird nach Kauf erst Ende Juni versendet.
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Hiromi Suzuki is a Japanese ceramic artist who lives and works in the town of Mashiko, a renowned center for traditional Japanese ceramics.
Born in Tokyo and raised in Yokohama, she studied at the Department of International Studies at Meiji Gakuin University in Kanagawa Prefecture from 1996 to 2003, before training as a ceramic artist in the city of Kasama from 2004 to 2006, first at the renowned Hisato Pottery Studio (桧佐陶工房, Hisato Tōkōbō) and then at the Ibaraki Prefectural Ceramics Guidance Center.
In 2009, Hiromi moved to Mashiko to work as a ceramic artist.
For her work, Hiromi Suzuki mixes Mashiko clay with clay from other regions, but she also uses what is known as “semi-porcelain”—a fine, mostly white type of ceramic that resembles real porcelain in both appearance and properties, but is made of clay, quartz, and lime—not the kaolin typical of real porcelain.
The choice of clay depends on the object being created—for example, Hiromi uses semi-porcelain for vessels that she decorates with paintings.
To achieve a matte finish on her pieces and bring out the subtle nuances of soft colors, Hiromi mixes her glazes individually. The delicate color gradients in her work offer a wide range of expressive possibilities, and the effect changes depending on how the light falls on it.
Hiromi prefers simple forms and strives to create vessels that exude a gentle, warm aesthetic—both in their color and texture—and perfectly complement the food when served.
Through her work, Hiromi Suzuki seeks to express her feelings about the beauty and transience of landscapes and the changing of the seasons. She finds joy in the thought that holding one of her pieces might help relieve tension and bring peace and comfort to the heart. Despite their gentle aesthetic, Hiromi’s vessels possess an unmistakable charm that endures.